Few big bands in the history of jazz have managed to achieve the longevity, sustained level of quality, unique personality, and relevance of the ICP Orchestra (only The Ellington Orchestra and Sun Ra come to mind immediately). Like those bands, the ICP Orchestra is a cultural institution—an evolving community of virtuosos gathered in the radical year of 1967 and refining itself into the distinct and complex entity that it is now.

That distinct entity might be described as "Duke Ellington meets Dadaism." Those who appreciate these reference points will understand everything that they imply: sophistication, skill, reverence, irreverence, tradition, anarchy, discipline, humor, sentimentality, dance, gamesmanship, fun, chaos, refinement.

At the core of ICP are its founders, pianist Misha Mengelberg and drummer Han Bennink. These young Dutch musicians were at the center of artistic activity in 1960s Holland. Their jazz credentials were firmly intact (having played with Ben Webster, Don Byas, Sarah Vaughn, Dexter Gordon, Eric Dolphy, etc.). Both were accomplished visual artists (with strong connections to the Fluxus movement). Both were at the forefront of new movements in theater, musical improvisation, composition, and more.

Though they have played together for over 40 years, Han and Misha don't necessarily get along. It is this tension that is at the heart of the group—a distinctly Dutch desire to be contrary and "agree to disagree." On stage Han and Misha are a classic comedy team: Han—the physical humorist (antics, stunts, energy, and surprise); Misha—the straight man (dour, dry, and impervious).

And the band swings like mad!

Artist Links:

ICP Orchestra Website
ICP Orchestra @ Europe Jazz Network
ICP Orchestra article @ Boston Phoenix